|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
For the Stereographer:
The Stereo Tango provides the demanding Stereographer with a precise control over the alignment of the left and right eye cameras being used to record 3D stereoscopic images.
Each camera is adjustable on its optical axis and at the intersection point of the combined two optical axes on the beam splitter.
The Stereo Tango is made of custom molded carbon fiber, achieving the highest rigidity for weight ratio on the market.
The interocular/interaxial adjustment (0mm to 90mm) is motorized by interfacing with standard wireless lens control systems such as ARRI, Cmotion, Scorpio or Preston.
The convergence adjustments can be manual or can be motorized (optional).
The 50/50 beam splitter is fixed at 45°, the left & right eye cameras are each and independently adjustable over five axes: tilt, roll, pan, side to side, up-down & front to back.
The camera alignments are smooth, precise and repeatable. The alignments are individually locked preventing any drifting during production. Each alignment is referenced with fine graduations and indexes.
A large & fully adjustable carbon fiber light shield is provided to control stray light on set.
For the Rental House:
65° horizontal viewing angle is the gold standard for most 3D film making. Most of the 3D perception occurs within 20 feet of our eyes, capturing it requires very small interocular distances. The Stereo Tango fulfills these requirements.
Its carbon fiber construction offers high performance and high customer appeal.
The Stereo Tango� enables the rental house to make full use of its existing inventory of 2D camera equipment for 3D Cinema & 3D Broadcast applications. The Stereo Tango is camera agnostic: small or large, all of the cameras in your inventory can be quickly mounted onto the Stereo Tango and precisely aligned to capture in 3D.
The Stereo Tango is built to last: rugged and ergonomic construction will greatly contribute to a quick return on investment.
We provide a fully documented parts list with exploded views.
The Stereo Tango is compatible with standard ARRI accessories: filter frames, filter retainers, rubber bellows, sliding bridge plates, iris rods, wireless lens control systems.
The Stereo Tango can be mounted onto a standard fluid head, a gear head and or a remote head. (multiple 3/8'' mounting points are provided)
The Stereo Tango is delivered in a sturdy custom welded aluminum travel case with wheels.
For the Camera Crew:
The Stereo Tango is well balanced, to the delight of the camera operator.
The layout of the Stereo Tango is not obstructing or restricting access to the camera equipment. It allows the camera crew to have full access to the cameras, lenses and viewfinders at all time. The accessories are standard ARRI accessories: filter frames, filter retainers, rubber bellows, sliding bridge plates, iris rods, wireless lens control systems.
Multiple mounting points are provided to attach on board monitors and transmitters.
Multiple handles are provided to enable a quick and fast move from set-up to set-up.
Price: CAD$ 70.000,- (price includes the flight case, one beam splitter, 4x filter frames, 2x 138mm filter retainers, 1x pan handle, 1x carbon light shield set.)
Extra Beamsplitter are CAD$ 5.000,- each.
All prices are +duty
- With ANSI S35mm full gate, the widest lens is 20mm focal length.
- With Academy 35mm, the widest lens is 18mm focal length.
- With the RED camera, the widest lens is 18 mm focal length in 4K mode.
- With the SI 2K camera, the widest lens is 8mm focal length.
| Interocular range of adjustment: | 65mm with widest focal length. |
| 90mm with longer focal lengths. | |
| Convergence adjustment range: | 4° (2° per camera). |
| Camera mounting system: | Accepts 15mm & 19mm ARRI Bridge plates |
| (BP-5, BP-8, BP-9, BP-10, BP-11 & HD Digicine) | |
| Maximum camera load: | 60kg / 132 lbs total. |
| Filter sizes: | A total of four horizontal 4''x5.65'' filters frames are provided. |
| A total of two 138mm round filters are provided. |
- 6 axes of adjustment per camera, motorized interocular. (tilt, roll, pan, side to side, up-down & front to back)
- 6 axes of adjustment per camera, motorized interocular and convergence. (tilt, roll, pan, side to side, up-down & front to back)
- 3x axes of adjustment per camera, motorized interocular. (side to side, up-down & front to back, no convergence)
- 4x axes of adjustment per camera, motorized interocular & convergence. (pan, side to side, up-down & front to back)
- The 101 crash course on 3D movie making: http://www.focalpress.com/Book.aspx?id=4904&terms=3d+movie+making
- Hands-on Manual for Cinematographers, Second Edition, good chapter #18 on 3D capture: http://www.focalpress.com/Book.aspx?id=7470&terms=samuelson
- Inition StereoBrain software to calculate 3D stereoscopic parameters: http://www.inition.co.uk/inition/product.php?URL_=product_stereovis_inition_stereobrain&SubCatID_=72
- The grand father of the 3D digital digital phenomena: http://www.lennylipton.com/
- Classic 3D stereoscopic literature: http://www.stereoscopic.org/library/











